Saturday, April 27, 2013

Interview with Lea Carter

Deirdra: When did you write your first book and how old were you?

I have been writing since I was nine, but did not complete an actual book until I was about 25.  It only took me three months to write it, but since I did not really know what I was doing, it took me seven years to get it edited and published.

Deirdra:  What is your writing schedule like?

As a public transportation rider, I primarily write while travelling between work and home.  Sometimes things do get slow enough at work to write a little, though.

Deirdra: What do you do to relax and unwind?

I enjoy watching a good movie or listening to an old-time radio program.  If it makes me laugh or start thinking, either way things around me seem better.

Deirdra:  Where do your ideas come from?  How do you know the idea is good enough to write a book about it?

My ideas come from a wide variety of sources.  It might be a song or a movie reference, or just a “what if…”.  Then a character is in my mind as vividly (sometimes more vividly) as if it were an actual person.  Their story just begs to be told, often surprising me in the process.
I’m not sure asking if a story is “good enough” is quite how I’d phrase it.  Many times a story will not catch my attention but will fascinate other people I know.   The ideas that won’t leave me alone are typically the ones I write down, but I strongly recommend that beginning writers focus on the verb – write.   Sometimes the best writing exercise is forcing yourself past the easy part, finding out by trial and error whether you prefer a bullet-point list or brainstorming.

Deirdra:  What do you hope readers will get from your books?

I sincerely hope they experience the escape that I consider so much a part of what I enjoy about reading.  If I learned that people found something illuminating or uplifting in my books, that would make me very happy.

Deirdra: Do you ever experience a snag in a story, a form of writer's block? If so, how do you deal with it?

I certainly have during my third book, Silver Verity, though for me it seems to act more like a snarl than a block.  I find that giving it a day or two to unravel itself, taking time to go back over points in the story and make sure I haven’t missed a connection, or discussing it with my biggest fan (hi Mom!) is enough to rattle a surprise loose.

Deirdra: Do you need absolute quiet to write? Do you listen to music when you are writing?

I don’t need quiet, but some things are almost impossibly negative and hard to ignore.  Quarreling people and profanity are particularly distracting.  I do listen to music at those times or when I need to make real progress.  I choose songs that I can tune out or in at will.

Deirdra:  What authors do you admire, and why?

I am particularly fond of reading Emily Loring and Louis L’Amour.  Their books are primarily clean and intriguing.  I will admit that Emily Loring’s can be a bit predictable but that’s sort of like complaining because you always enjoy your favorite dessert.  Louis L’Amour’s Sackett series has never seemed predictable to me and I would love it if Silver Sagas became an extended family series.

Deirdra:  How do you come up with your character’s names?
For the Silver Sagas books, it depends on the “tribe” they are from.  I might take a word and visit Google translate, see how it sounds in Latin or Greek.  I have also researched things native to their land, such as mountains, trees, or plants, until I found something that I thought sounded unique and like a name at the same time.

Deirdra: Where can readers go to find your books and order them?

At the moment, my books are only available digitally from Amazon.  I look forward to a time when they are out in print and am even working towards it, but I am temporarily stumped on that front because of the many contracts inherent in Print on Demand publishing.  When I know more I’ll post it on my site,

Saturday, April 13, 2013

Family Size and Interview with Maria Hoagland

Jessica loves being the mom of an ever-expanding family, but when an ultrasound throws her a curve, can she adapt with grace?

Dragged away from home, Maya feels deserted by her workaholic husband in a land of confusing accents and church cliques. What will it take to acclimate and save her marriage—or does she even want to?

Sloane is an algebra teacher and runner who would give up both to be a mom, but no matter what she does, pregnancy remains elusive. Can she adjust her thinking and find purpose in her life?

As their lives intertwine, can friendship and faith help these women hurdle expectations of an ideal family size?

“Hoagland has a talent for taking us into people’s hearts, allowing us to see both the bad and the good, and showing us the strength that comes only from trial. The characters in Family Size could be your neighbors or anyone from your ward. They think as we think, learn as we learn. They fail and weep, and then they dust themselves off and try again. In the end they come through for each other—and brilliantly. I very much enjoyed this novel.”—Rachel Ann Nunes – Bestselling author of Line of Fire and Before I Say Goodbye

Family Size is a touching story of three women who know heartache and trial, but also know where to turn for help. I loved this book. I laughed. I cried. I believe every woman will relate to the different tales of heartache and hope and come away with more compassion and understanding for others. I would recommend you not only read Family Size, but share it with all the sisters in your life.” –Cami Checketts,The Broken Path

Family Size is a touching story of three women's struggles with motherhood. Their issues with pregnancy, health, and fertility are well balanced and told so any woman can relate to them. Another great book by Maria Hoagland.” –Heather Justesen, The Switch

Maria Hoagland has written two books: Nourish & Strengthen and Family Size. She earned her degree from Brigham Young University in English. She and her husband have three children and have lived in Texas, Missouri, Utah, and Idaho. Maria enjoys watching anything her children are involved in, going to book clubs and lunch groups, long-distance running, walking barefoot in the green grass, and eating raspberries from her backyard. She loves to connect with readers at the following places:
Twitter: @MariaHoagland

Deirdra:  What is your writing schedule like?
Maria: Because I started a part-time job recently, my schedule is in flux…but who am I kidding? I never really had a set schedule to write. I do it when I get the chance because I love doing it, but being a mom, sometimes other things take precedence. My best writing time, though, is when it’s quiet and the kids are at school. I like to write in my home office, an upstairs converted bedroom I call my “tower” (because my husband’s office is in the basement which we refer to as the “dungeon”), but I also love to write outdoors at picnic tables, stone benches, in the grass under a tree, and occasionally in a squishy armchair at B&N or Starbucks. Also, I take my netbook everywhere so that I can write when I’m waiting in the car for my kids, or waiting for their concerts/games to begin.

Deirdra: What do you do to relax and unwind?
Maria: I have a love/hate relationship with running. Most of the time, it helps me get away from writing as well as to get things straight in my head so I can move on. Sometimes, though, I just like to veg on the couch with my husband and watch TV.

Deirdra: What is your process of brainstorming a story? Do you just sit down and write, waiting to see what happens next? Or do you outline first?
Maria: I’m a collector. When I see, hear, read, or experience something I think would go great in some kind of story, I write it down. Usually I carry a small notebook for just such occasions, but I also use my phone, scraps of paper, or whatever else is handy. The problem with that is that when I’m ready to write, I’ve got to pull all those resources together and get them into some kind of organized mess. To do so, I use Post-It notes on my wall (easy to move around), the Scrivener notecard feature, and an outline. That, of course, doesn’t mean that I stick to the outline as I write, but it makes thing easier if I do.

Deirdra: Who has made the greatest difference for you as a writer?
Maria: One of the things that has helped the most with my writing is surrounding myself with people to help me. It took someone who invested countless hours helping edit my first book to make me feel truly confident enough to share my writing with other editors and publishers and to eventually feel ready to publish on my own. Now being part of a critique group and the encouragement and help of other writers and editors helps me create a quality product, and more than that, helps me fulfill my dream.

Deirdra:  What are you working on now?
Maria: I’m in that collecting/ outlining mode right now as well as doing a little research on the side. I’m excited about the book, but it will be a bit of a stretch for me and I am looking forward to the challenge. I don’t want to say too much about it, though, because I don’t know how much of it I’ll change before it’s ready for the light of the world. It will be in the same genre—LDS women’s fiction—and another stand-alone book.

Deirdra:  What do you hope readers will get from your books?
Maria: I like the idea of taking LDS issues and tackling them honestly but with faith. I want readers to feel uplifted and strengthened and to feel good about themselves and others around them.

Deirdra:  What is the best thing about being an author?
Maria: It is thrilling (and scary) to see someone reading about my book, but my favorite part of being an author is seeing that book in someone’s hands, or hearing from them after they’ve finished and have them talk about how the book made them think. I just love hearing people’s reactions.

Deirdra: Where can readers go to find your books and order them?

Thank you so much, Maria. It’s a real honor to get your insights.

Wednesday, April 3, 2013

Interview with the Amazing C. David Belt!!!!!

C. David Belt was born in Evanston, WY. As a child, he lived and traveled extensively around the Far East. He served as an LDS missionary in South Korea and southern California (Korean-speaking). He graduated from Brigham Young University with a Bachelor of Science in Computer Science and a minor in Aerospace Studies. He served as a B-52 pilot in the US Air Force and as an Air Weapons Controller in the Washington Air National Guard. When he is not writing, he sings in the Mormon Tabernacle Choir and works as a software engineer. He collects swords (mostly Scottish), axes, spears, and other medieval weapons and armor. He and his wife have six children and live in Utah with an eclectus parrot named Mork (who likes to jump on the keyboard when David is writing). 

The Unwilling: 

In all the 6,000 years that the Children of Lilith have walked among us, there has never been an unwilling vampire...until now.

Carl Morgan has lost everything. His wife and children were killed in a senseless accident. Then he witnesses the murder of his sister at the hands of a beautiful and mysterious woman named Rebecca. When the police cannot locate the killer, Carl takes matters into his own hands. But his search for justice costs him everything he holds dear.

Carl is unknowingly transformed into the world's first and only unwilling vampire. He is cut off from the light, damned to an eternity of darkness, barred from heaven and any hope of a reunion with his family.

Moira MacDonald, a repentant vampire, has roamed the earth alone for centuries seeking redemption. The very existence of an unwilling vampire, something she thought impossible, changes everything. Has she finally found a path to redemption . . . and an end to her loneliness?

Carl and Moira discover that Rebecca's vampire Master, Michael, plans to unleash a plague of vampires on the city. Can Carl and Moira stop the slaughter of countless innocents?

The Penitent:

In 6,000 years, no vampire has ever defied Lilith, Queen of the vampires...until now.

Moira and Carl Morgan have saved the city from the horror of Michael and his evil wives, but victory has come at terrible cost.  And there are consequences to every choice, every victory.  Word has spread that someone has broken Lilith's power, that someone has defied the ancient Queen of the vampires.   And she's not happy about it.

The Prophecy:
For 6,000 years, Lilith and her Children have walked the earth, hunting, preying, seducing, corrupting, ruling from the shadows...until now.

An ancient prophecy, spoken by Adam, Lilith's grandfather, foretells her doom. She will do anything, corrupt any innocent, murder countless mortals to save herself.  To survive, she knows she must destroy Carl and Moira Morgan.  The war has begun.  And Carl and Moira know, win or lose, it all ends here.

Deirdra:  What is your writing and educational background?
Dave: I’ve been writing stories, poetry, and songs since I was a child.  I wrote a few short stories in high school and college, but I only started to write my first novel, The Unwilling, in December of 2009.  I was forty-nine years old.  I never took a creative writing course in college.  I have a degree in Computer Science from BYU with a minor in Aerospace Studies (i.e., AFROTC).

Deirdra: What was the pathway like for you to get your first book published?
Dave: Lots and lots of submission packets, lots of rejections, and lots of research.  I think most times, a publisher would read my query letter, get to the words “LDS” and “vampire” in the same sentence, and stop reading.  My publisher, Parables, actually rejected the manuscript originally.  They sent it back with edits (so they DID read it), but said, “I want more imagery.  The storytelling is too sparse.”  I said, “If I were to expand the imagery, would you take another look?”  They said they would.  So I expanded the first four chapters, added about 5K words, and sent it back.  The response I got back was, “I love, love, love your book!”  So it went to the next level, the next approver, and the next, and soon I was offered a contract.  Parables publishes only about three books each year and they had already hit their limit for that year, so they asked, “Would you be willing to have it published as an e-book first and a paperback a year later?”  My response was, “Was that a trick question?  Absofraggin’lutely!”

Deirdra: Were you ever discouraged along the way? If so, how did you deal with it?
Dave:  Of course.  Frequently.  I considered self-publishing, though I didn’t know how to go about it, but I really needed the validation that somebody other than friends and family thought my work was good enough to publish.  So even though I was discouraged, I just kept plugging away.  I don’t think I’m capable of giving up on something I love, so I just kept on fighting. 

Deirdra: What books have most influenced your life?
Dave:  Some people might say, “The scriptures,” or something like that.  Don’t get me wrong: the scriptures have affected my life profoundly, and I don’t want to belittle that.  But when I read the scriptures, I’m always looking for motivation: why did Moses or Nephi or Moroni say or do that?  How can I relate that to me?  What would I have done in that situation?  That said, as far as literary influences go: Dracula, by Bram Stoker, Shakespeare’s MacBeth, King Lear, and Hamlet, Robert Louis Stevenson’s Treasure Island and The Strange Case of Dr. Jekyll and Mr. Hyde, Charles Dickens’ Great Expectations, A Christmas Carol, and Oliver Twist, Mary Wollstonecraft Shelley’s Frankenstein, Mary Stewart’s The Crystal Cave, The Hollow Hills, The Last Enchantment, and The Wicked Day, J. R. R. Tolkein’s The Hobbit and The Lord of the Rings, Robert Heinlein’s The Green Hills of Earth, J. Michael Straczynski’s Babylon 5 (OK, that’s not a book, but it could have been and it has been a profound influence), about one half or one third of a few of Stephen King’s books (wishing I could throw the rest of it away), Stephen R. Donaldson’s Daughter of Regals, and just about anything by Neil Gaiman, particularly, The Sandman, American Gods, Anansi Boys, and The Graveyard Book. 

Deirdra: What dreams have been realized as a result of your writing?
Dave: I told the story that possessed me.  The story simply would not let me go until it was told.  When it was finished, I breathed a huge sigh of relief.  Then I realized how much I was going to miss the characters!

Deirdra:  What is your writing schedule like?
Dave: I write whenever I can get a few moments.  Mostly, it’s late at night.

Deirdra: What do you do to relax and unwind?
Dave: This going to sound weird, but hear me out:  I lie down on the couch and turn on Family Guy.  The show is so vile, that I turn the volume very low, close my eyes, and just tune it out.  I’m sleepy and ready for bed in five minutes or less.  I would never actually WATCH the show, but it puts me to sleep. 

Deirdra:  Where do your ideas come from?  How do you know the idea is good enough to write a book about it?
Dave: Usually, I get an image in my head.  If it simply won’t go away until I tell the story, then I know it’s a good one.  For The Children of Lilith, I had an image of a circle of vampires “ordaining” a man who did not consent to become a vampire.  In my head, I KNEW he was unwilling and that vampirism (like eternal damnation) could not be forced on anyone, but SOMEHOW it was being forced on him.  I knew he was the first and only unwilling vampire.  That image stayed in my head for more than a decade until I simply had to tell the story.  (It took me a decade to figure out how he could be forced to be a vampire if it MUST be voluntary.)

Deirdra:  Can you tell us a little about your book, The Children of Lilith: The Unwilling, The Penitent, and The Prophecy?
Dave:  The Unwilling is the story of Carl Morgan, a decent LDS man who loses his wife and children in an automobile accident.  Then he witnesses the murder of his wayward sister at the hands of the beautiful and mysterious Rebecca.  When the police can’t find the killer, he goes searching for her.  He finds her, but she takes away everything.  She transforms him into the world’s FIRST and ONLY unwilling vampire.  Vampirism is a choice, and you’re choosing to become a serial killer, because you can only survive on HUMAN blood, not animal blood.  Carl is unwilling to murder to survive and he really doesn’t understand what’s happened to him.  He’s found and mentored by Moira MacDonald, a two-hundred and seventy year-old Penitent (repentant vampire).  She teaches him how to survive without killing, how to stay true to his temple covenants (in spite of his condition), and how to get justice for his murdered sister.  But to Moira?  Carl’s very existence as an unwilling vampire turns her world upside-down, because Carl is an impossibility.  In the 6,000 years that the Children of Lilith have walked the earth, there has never been an unwilling vampire, because eternal damnation cannot be forced on someone: they must choose it, just as Moira did.  And yet, there’s Carl.  If he can exist somehow, there must be something about Moira’s condition that she doesn’t know.  Is it possible that, after two and half centuries of searching for redemption and repentance with no hope, perhaps there might be a way back?  Meanwhile, Rebecca’s vampire Master, Michael, plans to unleash a wave of new vampires on the city.  Carl and Moira must stop him before countless innocents are slaughtered. 

Deirdra:  How many beta readers review your manuscript before you send it to your editor?
Dave:  Four of my adult children, my wife, my mother, and two or three friends (among them, fellow authors).  One of my sons is my harshest and best critic.  My youngest daughter provides me with unique insights.   

Deirdra:  What do you hope readers will get from your books? 
 Dave:  There are themes and morals to any good story, and if I can help someone understand agency and the atonement of Christ (the themes of The Children of Lilith), so much the better.  Mostly, I just want to tell a good story. 

Deirdra: What is your process of brainstorming a story? Do you just sit down and write, waiting to see what happens next? Or do you outline first?
Dave:  I NEVER outline.  I sit down and write out character sketches, settings, rules (such as how vampirism works in my story), and plot points (not all of which will make it into the story).  I know how I want the story to end (in the broad strokes).  Then I stew for a long time on how to start the story (a process that is repeated at the beginning of each chapter), how to bait the hook.  Once I have the beginning, I plunge in and let the characters tell the story to me.  Occasionally, one of the characters will speak up in my head and say something like, “I would nae ever say such a thing, laddie!  Here’s what I’d do.”  That’s when I know that the character has really come alive for me.  That’s also the point when the story may go in a direction that I never anticipated, but will ultimately lead me to the where the story needs to go.  The most important thing, for me, is to know who the characters are before I can begin. 

Deirdra: Do you ever experience a snag in a story, a form of writer's block? If so, how do you deal with it?
Dave:  From time to time, I find that the story has taken an unexpected turn.  Perhaps it has become more violent than I intended.  Perhaps I’ve learned something about a character that disturbs me.  Then I have to stop and puzzle out what to do about it.  Sometimes I’ll brainstorm with someone else, but mostly I simply work it out in my head.  Things have to make sense and they have to be honest.  If not, the story isn’t worth telling.  So I have to listen and determine how the story should proceed.  The answers come with prayer sometimes.  Other times, I just lie awake in bed at night, working it over in my head.  Often, the answer will come while I’m sitting in the Choir loft in the Tabernacle or the Conference Center gazing at the vaulted ceiling during rehearsal. 

Deirdra: Do you need absolute quiet to write? Do you listen to music when you are writing?
Dave:  If I did need absolute quiet, I’d never get anything written!  I can tune out everything around me if the words are flowing.  If I can, I will listen to music: Mormon Tabernacle Choir and Celtic music (particularly Loreena McKinnett).  I’m particularly fond of Irish and Scottish drinking songs.  I have no idea why, because I don’t drink (obviously) and I’ve never been in an Irish pub.  (Although, I can tell you that I have recorded a couple of songs with the Mormon Tabernacle Choir that are folk hymns and were originally Irish or Scottish drinking songs!  One of my favorites is actually in our hymnbook… with different words, of course.)

Deirdra: What kinds of inspiration do you use during your story creation periods?
Dave:  Swords, axes, spears, war hammers, shields, toy spaceships, a replica of George Washington’s pistol, and my parrot.  And people, with all their glorious imperfections, quirks, and divine potential. 

Deirdra: Who has made the greatest difference for you as a writer?
Dave: My wife, who listens and lets me bounce ideas off her, my mother, because I never want to tell a story that she wouldn’t be willing to read, and Captain America (before Marvel messed him up), George Washington, Neil Gaiman, and J. Michael Straczynski.. 

Deirdra:  What’s your secret to making the character’s in your books come to life?
Dave: Give them a good backstory, know their physical appearance, and above all, listen to them.

Deirdra:  What authors do you admire, and why?
Dave:  Neil Gaiman, because he is able to breathe new life into the mundane and make the extraordinary and uncanny sound commonplace and credible.  J. Michael Straczynski, because he gave the world Londo Molari. 

Deirdra:  What is your favorite snack to have while you are writing?
Dave:  Snack?  Who has time to eat when the words are flowing?

Deirdra:  Besides writing what other talents or hobbies do you have?
Dave:  I sing in the Mormon Tabernacle Choir.  I love to act on the stage, especially in musical theatre.  My dream was to play Tevye in Fiddler on the Roof, and I’ve done that.  I collect swords, axes, spears, and other medieval weapons and armor.  I’m fascinated with history.  I love Celtic music, especially Irish drinking songs. 

Deirdra:  What are you working on now?
Dave:  I’m currently working on a standalone science fiction novel with LDS themes and a main character who is LDS. Time’s Plague borrows themes for Shakespeare’s “King Lear” and is set roughly a century or so in the future. It starts out on a penal colony on Callisto (one of the moons of Jupiter). The story centers on Edgar Cordell, an innocent man, who has been sentenced for life (there can be no parole and no escape from the Hades penal colony) for a murder he did not commit. He was framed by his ex-wife and his best friend. The prison has no warden and is ruled by the prisoners, all of whom are male. It is literally a hellish place populated by murderers and rapists, the worst of the worst. New prisoners and supplies are dropped from orbit and no ship ever lands on Callisto… that is, until a shuttle crash-lands. There is only one survivor—Edgar’s ex-wife, the one person in the universe he hates more than any other. No woman can survive on Callisto. Edgar has to figure out a way to get her off-world and protect her from the other inmates.

Deirdra:  Are you planning on self-publishing, finding and agent, going with a small press or other? And why?
Dave:  I would LOVE to find an agent!  At present, I plan to give Parables first right of refusal on Times Plague.  Otherwise, I have no plans to self-publish.  I need the validation that somebody other than close friends and family find value in my work. 

Deirdra:  Where is your favorite place to write?
Dave:  In my office at home, surrounded by my swords.

Deirdra:  How do you come up with your character’s names?
Dave:  Names have power (which, coincidentally, is one of the themes in Time’s Plague), so I choose them carefully.  Sometimes, they are literary references and sometimes they are scriptural.  Often they are ironic: the vampire Master in The Unwilling is named Michael, which means, “like unto God”, something that Michael definitely is NOT. 

Deirdra: What words of advice do you have for other writers who desire to have their manuscripts become books in print?
Dave:  First and foremost: tell the story YOU want to tell.  Be honest: don’t force a story to work the way you want it to go.  If it can’t go there honestly, it’s not worth telling. 

Deirdra:  What is the best complement you could receive from a reader?
Dave:  A very tall member of the Choir came up to me one morning, grasped me by the shoulders, shook me, and said, “Your book made me weep!”  (I didn’t even know he had read it.) 

Deirdra: What are all the different ways you have promoted your book. 
 Dave:  I have a website that I engineered myself:  I do book-signings and author interviews.  If I’m at a book-signing, and things are going slowly, I sing Celtic songs.  My voice carries to the ends of the mall.  People stop by.  They may or may not buy the book, but they’ll stop and listen and talk.

Deirdra: Where can readers go to find your books and order them?
Dave:,, and of course,, which has direct links to those sites.  The publisher’s website,, also has links to those sites.

Deirdra: Any final words you would like to share?
Dave:  Thank you so much for this opportunity. 

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